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American Gangster

Posted on 15 March 2008 by Buttery

Year: 2007
Director: Ridley Scott
Writer: Steven Zaillian
Starring: Denzel Washington, Russell Crowe, Chiwetel Eljofor, Josh Brolin, Carla Guglino
Length: 158 minutes
Studio: Universal Studios
MPAA Rating:
Restricted



This is not your typical gangster movie.

American Gangster stars Denzel Washington as 1970s New York mobster-driver-turned-drug-lord Frank Lucas who learns all his tricks from his boss Bumpy Johnson (Clarence Williams III, uncredited) before Bumpy dies of a heart attack. Wanting his cut of the drug action dominated by Italian mob families, Lucas devises a scheme to have very pure heroin sent by US military planes from Asia to the United States during the Vietnam War. He markets his product under the name Blue Magic and sells it on the streets for half the price of product that is half as pure. Lucas gives each of his brothers front businesses in Harlem so that they can distribute the drug.

It does not take long for Blue Magic to fall into the hands of Detective Javier Rivera (John Ortiz) who overdoses on the drug. His partner, Detective Richie Roberts (Russell Crowe), decides to avenge his partner’s death by figuring out who is the mastermind behind Blue Magic. The trouble is getting anyone legitimate to believe that a black man no one has really heard of, rather than the typical Italian mob boss, could be the kingpin of such an innovative and wide-spread drug trafficking project. In order to protect his business investments and his family Lucas will do anything, including murder other mob members. It’s amazing how absolutely humble but evil Frank Lucas can be — a true Jekyll and Hyde.

Both Washington and Crowe deliver outstanding performances as antagonists who don’t actually know they are antagonists. Washington is convincing in his role as a man from the streets who wants better for his family. He does not overact as a street thug, and does not overact as a drug lord. He portrays the character in a way that makes the audience empathize with his situation, which would be impossible for most actors to do. Crowe does the same, portraying the street smart detective who tries to play by all the rules and keeps feeling the hardships that result when no one else around him is playing by those same rules. The equally incredible performances make it difficult for an audience member to decide which character to root for, so I ended up rooting for both of them.

The cinematography of this movie is what I would consider spectacular. The raw, grainy footage of the street shots matches the seedy subject matter, while the richly colorful and crystal clear “glamorous life” footage almost make you forget that many lives were ruined in order for Lucas to acquire and maintain that lifestyle. The music stays true to the period, a mix of blues, R&B, and soul tracks, with a little insertion of rap and hip-hop to relate the film to the 21st century audience.

The movie did have its slow moments, but they fit into the story line appropriately. My biggest complaint is the rushing of the ending. To tie up all the loose ends of many story lines the last 15 minutes of the film seem accelerated, hurried, and could be a bit confusing if you’re not used to watching a lot of gangster movies. I have a slight bias of loving movies about the 1970s, perhaps because that’s the decade I was born in, and despite its questionable historical accuracies/inaccuracies I still give this film a high mark for a fantastic cast, intriguing plot development, and perfect balance of brutality and humanity. The strangest part about this movie is that if I didn’t know it was based upon a true story I would have thought it completely unbelievable, which is actually one of the points of the film — no one expects some no name from the South to show up in Harlem and take over the drug scene.

It should be noted that many of the details in the movie were changed for the Hollywood effect. There is a great deal of debate regarding the “facts” of Lucas’s role in the trafficking of heroin from Asia to the United States. For more information about Frank Lucas watch the documentary SUPERFLY The True Untold Story of Frank Lucas The American Gangster and read New Criminology’s article Frank Lucas, “American Gangster,” and the Truth Behind the Asian Connection.

Buttery’s Rating:


Recommendations:

Popularity: 9% [?]

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In Bruges

Posted on 15 March 2008 by Buttery

inbruges.jpgTheatrical Release Year: 2008
Director: Martin McDonagh
Writer: Martin McDonagh
Starring: Ralph Fiennes, Colin Farrell, Brendan Gleeson, Ciarán Hinds, Clémence Poésy, Thekla Reuten, Jordan Prentice
Length: 107 minutes
Studio: Focus Features
MPAA Rating:
Restricted



There’s nothing quite like a cat and mouse game in medieval Disneyland.

Ray (Colin Farrell) and Ken (Brendan Gleeson) are two hitmen sent to Bruges, Belgium after an inexcusable botched hit in a London church. Their instructions are to lie low until their boss Harry (Ralph Fiennes) contacts them with further instructions. Problem is, Ray doesn’t find Bruges quite as charming as Ken or Harry do and he’s having a very difficult time not stirring up any trouble he can find in the medieval fairy tale land.

Instead of staying in the hotel to wait for Harry’s phone call, Ray and Ken take in some nighttime sights and meet up with an American dwarf actor named Jimmy (Jordan Prentice) and a Belgian drug dealer named Chloë (Clémence Poésy), both on set of a film being made in the streets of of Bruges. Despite having a good time with Jimmy and Chloë, Ray begins to fall into a suicidal state over the botched church job until he learns that his life is actually in danger because of that job.

Colin Farrell delivers a surprisingly amazing performance in this film. His non-politically-correct dialog about little people, gays, and the mentally challenged is embarrassingly hysterical. (You know you shouldn’t laugh out loud, but you do anyway, and so do the rest of the theater goers, so you’re all going to Hell together!) Also, his character’s crisis of conscience over his actions during the church-job-gone-wrong shows a tender and vulnerable side of him that is very uncharacteristic but brilliantly carried out. One of the running jokes of the movie is that Ray cannot stand being in Bruges, but the city is actually spectacularly beautiful and world famous for its medieval architecture, canals, and artwork, so watching the film take place in Bruges is a visual treat.

Slight spoiler: Two of the scenes near the end of the movie are very gruesome. Brace yourself.

Buttery’s Rating:


Recommendation

    French fries with mayonnaise are a definite must while In Bruges.
    A nice Belgian Hoegaarden Verboden Vrucht (Forbidden Fruit) will wash down those pommes frites as you watch Colin and Clémence run their yummy selves around the screen.

Popularity: 7% [?]

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